The LAist has an interview with John Cale about his Paris 1919 show at Royce Hall in Los Angeles. About choosing the musicians to play on the album:
I was told to go out there. I had been picked up by Warner's, and Chris (Thomas, producer) had just arrived, and there was a suggestion that we use Little Feat. And I had no idea how that would work. But then we did a couple of days in the studio and it was obvious that, I saw a lot of care in how this was being played. I’d run into Lowell before, when I did a recording, did a single, “Dixieland In Dixie,” about four months before that. I didn’t know how that would work but Richie Hayward was perfect for the grooves. And Lowell’s playing was just really restrained, and very beautiful.
So it worked out very well. But I didn’t really know who the musicians would be. I was kind of puzzled as to where I was gonna find any, cause I was working at Warner’s in the A&R Department, and ...I think Chris Thomas had spoken to Ted Templeman and Ted suggested that we use Little Feat.
No comments:
Post a Comment